Saturday, December 24, 2005
call me back
From: "Chrystal" <MiltoncarbuncleSsSb@ameritrade.com>
Date: Sat, 24 Dec 2005 18:36:11 -0400
Subject: call me back
Hello,
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The only thing we don't copy, is the price.
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for 24 hrs.
Did Debbie love jumping in front of the restaurant?.
Don't you practice cooking nicely?.
today i need to goto the store. .
i am terribly hungry, do you want to get some food later on?.
The musicians have missed playing since a few days ago..
3.
10. Ninety six bottles of beer, three a's, three b's, one c, two d's, thirty six e's, three f's, two g's, seven h's, eleven i's, one j, one k, six l's, one m, twenty n's, twelve o's, one p, one q, six r's, twenty eight s's, nineteen t's, seven v's, seven w's, six x's, and five y's on the wall..
14. Ninety six bottles of beer, three a's, three b's, one c, two d's, twenty eight e's, seven f's, three g's, eight h's, thirteen i's, four l's, sixteen n's, nine o's, nine r's, twenty six s's, twenty t's, four u's, four v's, six w's, five x's, and five y's on the wall. .
Haven't you liked walking?.
Does Joe hate laughing over there?.
Haven't the computer programmers already practiced shaving?.
Did those bus drivers regret singing?.
I didn't dislike cooking at home..
Brian was a boy with Down's Syndrome. He was taking several medications. Brian came from a nurturing family and extended family who provided him with every opportunity. His mother was a teacher and wanted what was best for him. He exhibited no language and was considerably behind his other friends with Down?s Syndrome. We set up a noun program at school. At first he seemed disinterested. He looked at the pictures and sucked his thumb. The more we encouraged him to engage the keyboard, the more he sucked his thumb. We then paired him with a child who was very interested in the noun program. Suddenly the two were fighting over who was next to pick a picture. He worked several times a week at the computer. At his 3-year IEP, the team shook their heads. They didn't understand. Despite the track record of many students with Down?s Syndrome, Brian's language was his best skill. I smiled and his mother winked at me..
But, I spent the next three weeks making a piece of simple software for her son to her specifications. While I was at it, I put 4-8 pictures on the screen as well. The simple program was finished and ready for her child to see. As I was presenting it, the other children in my classroom were pushing each other to get to the computer screen to touch that Touch Window and hear the word spoken again and again. I looked at these kids and was amazed. There was no music, no animation, nothing cute about this program at all, just real pictures with real words. I was stunned. I just watched the children. Within 10 minutes, several children who had never said a word in their life, made approximations of several words. I was hooked..
tomorrow i will wash my hair and go to the salon.
Regards,
Date: Sat, 24 Dec 2005 18:36:11 -0400
Subject: call me back
Hello,
Come browse our huge selection of the finest brand names available on the market.
The only thing we don't copy, is the price.
Brands names like R0ll ex, Bvl gari etc. are available.
Visit us Today to get your dream watch.
========================================================================
CO PY the Addre,ss be low and paste in yo ur webb bro,wser:
beholden073.emailsnailmail.com
========================================================================
for 24 hrs.
Did Debbie love jumping in front of the restaurant?.
Don't you practice cooking nicely?.
today i need to goto the store. .
i am terribly hungry, do you want to get some food later on?.
The musicians have missed playing since a few days ago..
3.
10. Ninety six bottles of beer, three a's, three b's, one c, two d's, thirty six e's, three f's, two g's, seven h's, eleven i's, one j, one k, six l's, one m, twenty n's, twelve o's, one p, one q, six r's, twenty eight s's, nineteen t's, seven v's, seven w's, six x's, and five y's on the wall..
14. Ninety six bottles of beer, three a's, three b's, one c, two d's, twenty eight e's, seven f's, three g's, eight h's, thirteen i's, four l's, sixteen n's, nine o's, nine r's, twenty six s's, twenty t's, four u's, four v's, six w's, five x's, and five y's on the wall. .
Haven't you liked walking?.
Does Joe hate laughing over there?.
Haven't the computer programmers already practiced shaving?.
Did those bus drivers regret singing?.
I didn't dislike cooking at home..
Brian was a boy with Down's Syndrome. He was taking several medications. Brian came from a nurturing family and extended family who provided him with every opportunity. His mother was a teacher and wanted what was best for him. He exhibited no language and was considerably behind his other friends with Down?s Syndrome. We set up a noun program at school. At first he seemed disinterested. He looked at the pictures and sucked his thumb. The more we encouraged him to engage the keyboard, the more he sucked his thumb. We then paired him with a child who was very interested in the noun program. Suddenly the two were fighting over who was next to pick a picture. He worked several times a week at the computer. At his 3-year IEP, the team shook their heads. They didn't understand. Despite the track record of many students with Down?s Syndrome, Brian's language was his best skill. I smiled and his mother winked at me..
But, I spent the next three weeks making a piece of simple software for her son to her specifications. While I was at it, I put 4-8 pictures on the screen as well. The simple program was finished and ready for her child to see. As I was presenting it, the other children in my classroom were pushing each other to get to the computer screen to touch that Touch Window and hear the word spoken again and again. I looked at these kids and was amazed. There was no music, no animation, nothing cute about this program at all, just real pictures with real words. I was stunned. I just watched the children. Within 10 minutes, several children who had never said a word in their life, made approximations of several words. I was hooked..
tomorrow i will wash my hair and go to the salon.
Regards,
Winter Update: Louis Vuitton Handbag and Wallet for you
From: HandbagAndWallet <neatstuff@romancevalues.com>
Subject: Winter Update: Louis Vuitton Handbag and Wallet for you
Date: Sat, 24 Dec 2005 13:56:48 CST
Aardwetenschappen omvat de traditionele wetenschappen als geologie, fysische geografie, geofysica en ingenieursgeologie, die zich met name met gesteente en haar ontstaan en gedrag bezig houden. Maar behalve gesteente richt aardwetenschappen zich ook op de atmosfeer, water en ijs. Daarom behoren ook wetenschappen als hydrologie,glaciologie, meteorologie, klimatologie, hydrografie, geodesie en oceanografie tot de aardwetenschappen. Wetenschapsrichtingen als natuurkunde, scheikunde, wiskunde en biologie dragen hulpmiddelen en gereedschappen aan. Aangezien de aarde een planeet is, kunnen de aardwetenschappen ook als een tak van de planetologie beschouwd worden. Aardwetenschappelijke kennis, met name geomorfologie, wordt bijvoorbeeld ook toegepast voor de zoektocht naar sporen van water, sneeuw en ijs op de planeet Mars. Zoals bij alle wetenschappen wordt binnen de aardwetenschappen de wetenschappelijke methode gehanteerd: men doet waarnemingen (of verzamelt gegevens), formuleert een hypothese, leidt een voorspelling af en toetst deze. In de aardwetenschappen spelen gegevens een kritische rol in het formuleren en testen van hypothesen. [bewerk] Toepassingen aardwetenschappelijke kennis Aardwetenschappelijke kennis wordt veel toegepast in de winning van fossiele brandstoffen zoals aardolie en aardgas, de civiele techniek (denk aan bijv. tunnels), en de landbouw. Ook het voorspellen van rampen als aardbevingen en vulkaanuitbarstingen behoren tot het werkterrein. Binnen het vakgebied van de aardwetenschappen vallen ook enkele van de mondiale milieuvraagstukken : is er sprake van een globale temperatuurstijging als gevolg van het broeikaseffect? Wat zijn de gevolgen van deze temperatuurstijging voor een toekomstige zeespiegelstijging? Hoe zit het met het ozongat boven de zuidpool? Hoe vinden we voldoende drinkwater voor iedereen? Ensimm�isen kerran vuorovaikutustaidot testataan tosin jo ennen koulutukseen p��semist�. Aivan, p��semist�. Kun perusteellinen t�ydennyskoulutusohjelma maksaa pienen henkil�auton verran, esimiehelle on pystytt�v� perustelemaan, miksi juuri sin�, ja miksi juuri se ohjelma. Tuskin kukaan maksaa nimitt�in esimerkiksi JOKOn pitki� ohjelmia omasta pussistaan. � P��s��nt�isesti yritykset maksavat l�hes kaiken, mutta aina joukossa on joku, joka maksaa ohjelmansa ainakin osittain itse. Sijoitus on suhteellisen suuri, mutta opiskelija voi my�s laskea saavansa ohjelman j�lkeen paremman aseman ty�paikallaan, tai osaavansa tehd� ty�ns� entist� paremmin, Koskinen sanoo. Tilanne on sama my�s LIFIMin ja Efektorin kurssien osalta. � Vaikka yritys maksaa, yksil� tekee ostop��t�ksen. Meid�n myyntiargumenttimme on, ett� �yritys hy�tyy�, mutta totuushan on se, ett� ihminen kuluttaa tuotteen, toteaa Silvo. Jos oikeasti on tiedonjanoinen, ja v�h�t v�litt�� todistuksista ja kirjainyhdistelmist�, my�s avoin yliopisto tarjoaa hyv�t mahdollisuudet p�ivitt�� tietoja. Aikuisopiskelu on ainakin Koskisen mielest� � h�n oli itsekin opintovapaalla viime vuonna � aivan eri maailma kuin perustutkintomaailma. � Ja onhan se aika tervett�kin tulla v�lill� omasta lokerosta muiden joukkoon ja katsoa asioita toisesta, uudesta n�k�kulmasta, Koskinen sanoo. Nyt pit�isi en�� tiet��, mit� haluan opiskella ja kuinka paljon siihen on varaa laittaa rahaa ja aikaa. Mieless�ni kaikuvat Kalle Laineen sanat: �Pahin virhe on l�hte� hakemaan koulutusta ilman, ett� tiet��, mit� hakee, mihin t�ht��, mit� haluaa.�Dear Friends, If you cannot view the images in this message, enable images or visit here to see this newsletter.
Tuesday, August 23 Open House Ewell 151, 9:00-10:00PMWednesday, August 24 Rehearsal for Returning Members; 3:30-4:15PM 1st Officers' Meeting; Ewell 151, 4:15-4:45PM Friday, August 26 Opening Convocation Wren Courtyard, 4:30PM Monday, August 29 Welcome Meeting for Returning and New Members; Ewell 151, 3:00-3:20PM First Full Rehearsal; Ewell 151, 3:30-5:30PM Friday, September 23 Family Weekend Concert W&M Hall, 8:00PM Sunday, October 2 Occasion for the Arts Kimball Theatre , 3:15-4:00PM Friday, October 21 Sunset Ceremony Wren rear courtyard, 4:00 pm Saturday, October 22 Homecoming Concert Catholic Campus Ministries building (formerly St. Bede's Catholic Church), 8:00 pm Thursday, Friday and Saturday; December 1, 2, and 3 Holiday Concerts Phi Beta Kappa Memorial Hall Thursday, Friday, and Saturday Nights, 8:00PM Week before performance : (757) 221-1085 [Dr. Armstrong] Week of performance : (757) 221-2674 [PBK Box Office] Sunday, December 4; Saturday, December 10 Caroling Merchant's Square, 1:00 pm Saturday, December 10 Yule Log Ceremony Wren rear courtyard, 6:00 pm Charter Day Ceremony W&M Hall, 10:00 am ------------------------------------------------------------------------------- Spring Tour! Dates, Times and Locations TBA -------------------------------------------------------------------------------- Spring Concerts Phi Beta Kappa Memorial Hall, 8:00 pm Week before performance : (757) 221-1085 [Dr. Armstrong] Week of performance : (757) 221-2674 [PBK Box Office] Baccalaureate Service, W&M Hall, 9:30 amCommencement Concert, Chesapeake Rooms (University Center), 3:30 pm Senior Candlelight Ceremony, front of Wren, 9:15 pm Commencement, W&M Hall, 12:00 pm September - September 17th Saturday, Downtown Parade Advanced Band September 23rd Summer Band Showcase = (Day) October October 13th, Open House performance, selected students =(Evening) Fall Parade, Zablocki School = Advanced Band (Day) October 22nd, South Shore Farmer�s Market Advanced Band(Saturday) November - Christmas Parade, West Allis and Downtown Milwaukee = Advanced Band , Dates to be announced (Evening & Saturday) December = Drumline/Color Guard Competition, To be announced. December 16th, Candy Cane Concert 6th graders & Beginners (at Fritsche = Day) Mayfair Mall, Advanced strings (at Mayfair Mall) Date to be announced = (Day) December 20th, Winter Concert advanced groups (at Fritsche = Evening) Holiday City Choir Concert, to be announced = (Day) January February = UPAF Concert 7 & 8 Full Orchestra (Pabst Theater) Date to be announced = (Day) February 10th, L.E.A.P Performance -- selected students (Day) February 17th, Multicultural Program Advanced groups (at Fritsche = Day) March = March 4th WSMA Solo & Ensemble - 7 & 8 graders Band & Orchestra (at Marshall High School = Saturday) March 15th & 16th WSMA all beginners Band & Orchestra (at Fritsche = Evening Conferences) Music in our Schools Month - Selected Advanced groups (at Central Office = Day) March 22nd & 23rd School Musical (at Fritsche = Evening) April = April 8th WSMA, Large Group Ensembles Advanced Band & Advanced Orchestra (at Marshall High School Saturday - Biggest event of the year ) May = May 9 Music Symposium selected students (Downtown = Day) May 10 & 11 All City (by audition only, Downtown Arena = Evening) May 24 & 25 Spring Concert All music students (at Fritsche = Evening) May 29th Memorial Day Parade, Advanced Band = (Day) June = June 2nd, Wisconsin Dell all music students that met requirements (day into evening) Honors Program selected students (at Fritsche = Day) Date to be announced June 12th, Completion 6 & 7 graders as full orchestra (at Fritsche = Day) We are in demand! As soon as a request for a performance comes in, we will let you know so you can mark your calendar. All performances will reflect classroom grades, and are requirements for the annual Spring trip to Wisconsin Dells. Please call us with your questions or concerns. Ms. Gardiner = 294-1039 Mr. Harris = 294-1023 Mr. Denk = 294 1043 Ms. Stefanski = 294-1009 Elena, What's up chica? I haven't talked to you in seems like forever. It's all that Christmas shopping. What total madness this year. The shoppers seem extra pushy and demanding. I'm actually done and Kristen's party sounds like a blast. I'm in town for the weekend, but going to Denver for New's Year to meet up with the family for a ski trip and relaxing resort weekend. I don't have directions to Kristen's, since I have only been there twice, so e-mail a refresher, if you will please. Do I need to bring anything? Food, wine, beer? Let me know. Cheryl -----Original Message----- From: Elena Garvy [elenag1999@yahoo.com] Sent: Thursday, December 22, 2005 12:46 PM To: Cheryl Gorski [cheryl_gorski@bankofny.com] Subject: Kristen Hollis' Holiday Party Cheryl, Hey girl. Kristen asked me to pass this invite along to you. Not sure if you are going to be in town and able to go or not. Here is the list of people coming to the party. If you can make it, just add your name and mail it back to me or Kristen. ** Kristen Hollis -- HOSTESS :-) ** Elena Garvy -- CO-HOSTESS =] 1. David Robertson 2. Scott Keegan 3. Melinda Kreiss 4. Christy Brewer 5. Stephanie Kaiser 6. Amy Greyson 7. Leila Pefowicz, violin 8. Camille Russell-Braun 9. Stephanie Berner 10. Kyle Hallen The party is tomorrow, Friday 12/23/05. We are heading to Kristen's house around 9pm until whenever. Hope you can come. Write me and let me know either way. Cheers, Elena 1. Username: Forgot username? 2. Password: Forgot password? 3. Sign On to: Account SummaryTransferBill PayBrokerageTradeMessages & AlertsAccount Services Il mandato del "numero uno" della Banca d'Italia sar� a termine: 6 anni rinnovabili una sola volta :: Approvata la legge sul risparmio Pene lievissime per il reato di falso in bilancio In de economische theorie wordt vaak gewerkt met het model van een markt met volkomen concurrentie (een zogenaamde perfecte markt). Dit is een ideaaltypische abstractie, waarbij sprake is van: Een groot aantal vragers en een groot aantal aanbieders (de aantallen zijn zo groot dat geen enkele individuele vrager of aanbieder ook maar de minste invloed kan uitoefenen op het prijsvormingsproces); Er wordt een homogeen product verhandeld (alle producten die gekocht of verkocht worden zijn in de ogen van resp. kopers en verkopers volkomen identiek en uitwisselbaar); De markt is doorzichtig (vragers en aanbieders hebben alle informatie); Er is vrije toetreding en uittreding mogelijk (iedereen kan zonder enige belemmering als vrager of als aanbieder gaan optreden). Op een dergelijke markt komt het evenwicht tussen vraag en aanbod tot stand door prijsvorming: de evenwichtsprijs is die prijs waarbij gevraagde en aangeboden hoeveelheden precies aan elkaar gelijk zijn. De marktwerking zorgt ervoor dat op zo'n markt optimaal tegemoet gekomen wordt aan de behoeften van de consument, terwijl de producent maximale winst behaalt. In de praktijk zal aan het ideaaltype van volkomen concurrentie nooit voldaan zijn. Wanneer er in belangrijke mate aan bovenstaande eigenschappen niet is voldaan, spreekt men van marktfalen.
Legitimate Health Insur. from 79 Dollars
From: AffordableHealth-Affiliate <greatcare@justopinions.com>
Subject: Legitimate Health Insur. from 79 Dollars
Date: Sat, 24 Dec 2005 16:31:46 EST
Ihmisjohtaminen on maailmanlaajuisesti suurin trendi. Loppujen lopuksi siin� on kyse pehmeist� asioista, joita onkin kaikkien vaikeinta hanskata, varsinkin Suomessa, joka on varsin teknokraattinen maa. Sen rinnalla kulkee yhteis�llisyyden trendi, tavallaan vastaiskuna yksil�llisyyden ihannoinnille ja kvartaalitaloudelle, sanooKoskinen. Laine lis�� trendisanalistaan verkostoitumisen. � Jos ajattelee yleisi� trendej�, niin jo vuosia koulutusalan trendin� ovat olleet yritysten sis�iset ohjelmat: markkinointia, strategiaty�t�, tilinp��t�ksen tunnuslukuja. Sis�ll�llisesti verkostoituminen on kyll� p�iv�n trendi. Eri asteiset kumppanuudet ovat el�v�� el�m��. Johtajien pit�isi pysty� n�kem��n askel pidemm�lle kuin vain seuraavaan portaaseen, sill� vuorovaikutussuhteissa ei voi en�� k�skytt��. Asiohin pit�� vaikuttaa ideoilla ja omalla innostuksella, vuorovaikutusjohtamistaidot korostuvat, Laine sanoo. Ensimm�isen kerran vuorovaikutustaidot testataan tosin jo ennen koulutukseen p��semist�. Aivan, p��semist�. Kun perusteellinen t�ydennyskoulutusohjelma maksaa pienen henkil�auton verran, esimiehelle on pystytt�v� perustelemaan, miksi juuri sin�, ja miksi juuri se ohjelma. Tuskin kukaan maksaa nimitt�in esimerkiksi JOKOn pitki� ohjelmia omasta pussistaan. � P��s��nt�isesti yritykset maksavat l�hes kaiken, mutta aina joukossa on joku, joka maksaa ohjelmansa ainakin osittain itse. Sijoitus on suhteellisen suuri, mutta opiskelija voi my�s laskea saavansa ohjelman j�lkeen paremman aseman ty�paikallaan, tai osaavansa tehd� ty�ns� entist� paremmin, Koskinen sanoo. Tilanne on sama my�s LIFIMin ja Efektorin kurssien osalta. � Vaikka yritys maksaa, yksil� tekee ostop��t�ksen. Meid�n myyntiargumenttimme on, ett� �yritys hy�tyy�, mutta totuushan on se, ett� ihminen kuluttaa tuotteen, toteaa Silvo. Jos oikeasti on tiedonjanoinen, ja v�h�t v�litt�� todistuksista ja kirjainyhdistelmist�, my�s avoin yliopisto tarjoaa hyv�t mahdollisuudet p�ivitt�� tietoja. Aikuisopiskelu on ainakin Koskisen mielest� � h�n oli itsekin opintovapaalla viime vuonna � aivan eri maailma kuin perustutkintomaailma. � Ja onhan se aika tervett�kin tulla v�lill� omasta lokerosta muiden joukkoon ja katsoa asioita toisesta, uudesta n�k�kulmasta, Koskinen sanoo. Nyt pit�isi en�� tiet��, mit� haluan opiskella ja kuinka paljon siihen on varaa laittaa rahaa ja aikaa. Mieless�ni kaikuvat Kalle Laineen sanat: �Pahin virhe on l�hte� hakemaan koulutusta ilman, ett� tiet��, mit� hakee, mihin t�ht��, mit� haluaa.�Dear Friends, If you cannot view the images in this message, enable images or visit here to see this newsletter.
Tuesday, October 25Fall Choral Concert -- 7 P.M., Jefferson Cafeteria Tuesday, December 13 Winter Choral Concert -- 7 P.M., Jefferson Cafeteria Tuesday, February 7 Westside Choir Festival -- 7 P.M., Capital High School Tuesday, March 28 Masterworks Choral Concert -- 7 P.M., Jefferson Cafeteria Thursday, May 11 Chinook MEA Regional Choral Contest--during the school day Wednesday, June 7 Choir Disney Concert with Marshall -- 7 P.M., Marshall Gym (wear Disney character costume) June 13 - 15 Possible Disney tour dates to the elementary schools, during the school day (with Marshall) Chaplin's City Lights* Friday, December 30, 2005 at 7:30pm Saturday, December 31, 2005 at 7:30pm David Robertson, conductor Saint Louis Symphony Orchestra Uproariously funny, deeply moving, Chaplin's masterpiece is a touchstone of 20th-century art -- it's a "must see"; a film you want to revisit with friends and family who've never seen it before. For a family New Year's celebration, David Robertson and the Saint Louis Symphony Orchestra play Chaplin's score live along with a screening of the film. Great music, laughter, a tramp, a flower girl, a rose: Happy New Year! Please call the box office at 314-534-1700 for more information. ------------------------------------------------------------------------------- The Gentleman and the Romantic Thursday, January 12, 2006 at 8pm Friday, January 13, 2006 at 8pm Saturday, January 14, 2006 at 8pm Friday, January 20, 2006 at 8pm Saturday, January 21, 2006 at 8pm -------------------------------------------------------------------------------- Youth Orchestra and members of the SLSO in a special "Side-by-Side" performance Sunday, January 22, 2006 at 3pm Mozart Tributes Friday, January 27, 2006 at 10:30am Saturday, January 28, 2006 at 8pm Kinder Konzerts Tuesday, January 31, 2006 at 9:30 & 11am Tuesday, February 7, 2006 at 9:30 & 11am Tuesday, February 14, 2006 at 9:30 & 11am Friday, February 3, 2006 at 8pm Saturday, February 4, 2006 at 8pm Sunday, February 5, 2006 at 3pm Lift Every Voice: Black History Month Celebration* Tues, February 21 at 7:30pm Friday, February 24, 2006 at 10:30am Saturday, February 25, 2006 at 8pm For more information contact Music Learning & Educational Services at education@slso.org or call 314-286-4156. -------------------------------------------------------------------------------- Friday, March 3, 2006 at 8pm Saturday, March 4, 2006 at 8pm Thursday, March 9, 2006 at 8pm Friday, March 10, 2006 at 8pm Cassandre* Wed, March 29 at 7:30pm Main Theater of the Mildred E. Bastian Center for the Performing Arts 5600 Oakland Avenue Presented in collaboration with Crossings Concerts (crossingconcerts.org). -------------------------------------------------------------------------------- Carnegie Hall Concert Friday, March 31, 2006 at 7:30 PM Zankel Hall Saint Louis Symphony Orchestra David Robertson, Music Director and Conductor Pulitzer Series Concert April 6 and 7, at 7.30pm - TBA Joie de Vivre Friday, April 7, 2006 at 10:30am Saturday, April 8, 2006 at 8pm Sunday, April 9, 2006 at 3pm -------------------------------------------------------------------------------- Young People's Concerts Tuesday, April 25, 2006 at 9:30 & 11am Wednesday, April 26, 2006 at 9:30 & 11am Scott Parkman, conductor MUSORGSKY/RAVEL Pictures at an Exhibition (selections) The Russian composer Modest Musorgsky visited a memorial exhibition of paintings by his friend Victor Hartmann, who had died at the age of 39. Musorgsky was inspired to translate the paintings he had seen into sound. He wrote Pictures at an Exhibition for piano. Later, the French composer Maurice Ravel added to Musorgsky's work to make it a composition for full orchestra. Artists build upon ideas to make a work of art: from piano to orchestra, from sketch to painting. For more information contact Music Learning & Educational Services at education@slso.org or call 314-286-4156. -------------------------------------------------------------------------------- Irresistible Saturday, April 29, 2006 at 8pm Sunday, April 30, 2006 at 3pm Layers of Purity Thursday, May 4, 2006 at 8pm Friday, May 5, 2006 at 8pm Saturday, May 6, 2006 at 8pm David Robertson, conductor Emanuel Ax, piano DE GRIGNY/BENJAMIN Livre d'orgue: R�cit de tierce en taille GEORGE BENJAMIN Palimpsests SIBELIUS Symphony No. 7 BRAHMS Piano Concerto No. 2 Baroque organist de Grigny's R�cit is past as prelude. With fierce, pure dedication, George Benjamin brings the past into the present with his Palimpsests, in which he layers old and newer music. Sibelius, in his final symphony, reached heights of purity, untouched by trends or fashion. And Brahms, in his last piano concerto, finds wisdom, serenity and light. Pre-Concert Perspective with David Robertson one hour before each performance. ------------------------------------------------------------------------------- Youth Orchestra Sunday, May 7, 2006 at 3pm Scott Parkman, conductor David Robertson, guest conductor Christine Brewer, soprano BRAHMS Academic Festival Overture JOAN TOWER Ford Made in America BARBER Knoxville, Summer 1915 TCHAIKOVSKY Symphony No. 2 in C minor, Op. 17 "Little Russian" The Saint Louis Symphony Youth Orchestra performs the St. Louis premiere of Joan Tower's Made in America as well as Tchaikovsky's Symphony No. 2, "Little Russian," and other works. -------------------------------------------------------------------------------- SLSO Fusion Series at the Blanche M. Touhill Performing Arts Center Wednesday, May 10, 2006 at 7:30pm Friday, May 12, 2006 at 10:30am Saturday, May 13, 2006 at 8pm Sunday, May 14, 2006 at 3pm Elena, What's up chica? I haven't talked to you in seems like forever. It's all that Christmas shopping. What total madness this year. The shoppers seem extra pushy and demanding. I'm actually done and Kristen's party sounds like a blast. I'm in town for the weekend, but going to Denver for New's Year to meet up with the family for a ski trip and relaxing resort weekend. I don't have directions to Kristen's, since I have only been there twice, so e-mail a refresher, if you will please. Do I need to bring anything? Food, wine, beer? Let me know. Cheryl -----Original Message----- From: Elena Garvy [elenag1999 @yahoo.com] Sent: Thursday, December 22, 2005 12:46 PM To: Cheryl Gorski [cheryl_gorski @bankofny.com] Subject: Kristen Hollis' Holiday Party Cheryl, Hey girl. Kristen asked me to pass this invite along to you. Not sure if you are going to be in town and able to go or not. Here is the list of people coming to the party. If you can make it, just add your name and mail it back to me or Kristen. ** Kristen Hollis -- HOSTESS :-) ** Elena Garvy -- CO-HOSTESS =] 1. David Robertson 2. Scott Keegan 3. Melinda Kreiss 4. Christy Brewer 5. Stephanie Kaiser 6. Amy Greyson 7. Leila Pefowicz, violin 8. Camille Russell-Braun 9. Stephanie Berner 10. Kyle Hallen The party is tomorrow, Friday 12/23/05. We are heading to Kristen's house around 9pm until whenever. Hope you can come. Write me and let me know either way. Cheers, Elena 1. Username: Forgot username? 2. Password: Forgot password? 3. Sign On to: Account SummaryTransferBill PayBrokerageTradeMessages & AlertsAccount Services Il mandato del "numero uno" della Banca d'Italia sar� a termine: 6 anni rinnovabili una sola volta :: Approvata la legge sul risparmio Pene lievissime per il reato di falso in bilancio De historische roman is een roman waarvan de verhaalstof gebaseerd is op (in de regel) waar gebeurde historische gebeurtenissen, en/of bestaand hebbende personen. De verhouding tussen gegevens uit de historische empirie en de wijze waarop een schrijver die omzet tot een (semi)fictioneel relaas - in andere woorden: de referentialiteit van een tekst - is uiterst delicaat. Hoe subtiel die kwestie ligt wordt onmiddellijk duidelijk als het genre van de historische roman wordt afgezet tegen dat van de biografie. Beide genres kunnen gebaseerd zijn op gedegen historisch onderzoek en beide kunnen met bijzonder veel verteltalent zijn neergezet, maar de biografie verantwoordt de bronnen uitvoerig, terwijl de historische roman dat in de regel niet doet (zelfs al neigen moderne schrijvers ertoe een bronnenlijstje aan hun roman toe te voegen). Het onderscheid zit hem eerst en vooral daarin dat de schrijver van de historische roman meer ruimte geeft aan zijn verbeeldingskracht. Maar ook dan zijn er tal van varianten. De schrijver kan zich strikt houden aan historische feiten, de auteur kan de feiten plaatsen binnen of omvormen tot een geheel dat een persoonlijke signatuur draagt, of historische feiten kunnen soms niet meer zijn dan een aanleiding tot een relaas waarin de verbeelding belangrijker is dan de weergave van een historische werkelijkheid; uiteraard staat deze laatste variant het dichtste bij de fictionele roman. Het is in de regel in de weergave van dialogen en de gedachten van de optredende verhaalfiguren dat een schrijver zijn verbeelding het sterkst moet aanspreken, omdat gedachten en dialogen maar heel zelden letterlijk door de geschiedenis zijn overgeleverd. Als het gaat om de exacte weergave van de historische werkelijkheid, kan een auteur het zich niet veroorloven te zondigen tegen de exacte weergave van jaartallen of de weergave van een geografische situatie die uit de geschiedkundige bronnen bekend is. Doet hij of zij dit toch, dan spreken we van een anachronisme. In de postkoloniale literaturen geniet het genre hernieuwde belangstelling van schrijvers die een herschrijving van de geschiedenis middels fictioneel proza beogen. De historische roman nam vooral in de Romantiek een grote vlucht, in het werk van Walter Scott (die in de 20ste eeuw vooral bekend bleef dankzij de verfilming van zijn Ivanhoe). Maar het genre heeft in praktisch alle nationale literaturen wel belangrijke vertegenwoordigers gehad. In de Franse: Vigny, Victor Hugo, Honor� de Balzac, �mile Zola, Gustave Flaubert en Marguerite Yourcenar. In de Engelse Daniel Defoe, Jonathan Swift, Henry Fielding, Thomas Hardy, In de Italiaanse: Manzoni en Umberto Eco. In de Russische Leo Tolstoj en Alexander Solzjenitsyn. In de Poolse Henryk Sienkiewicz. In de Vlaamse: Hendrik Conscience en Louis Paul Boon. In de Nederlandse: Geertruida Bosboom-Toussaint, Louis Couperus, Arthur van Schendel, Simon Vestdijk, Hella Haasse, Theun de Vries, Johan van de Walle, Inez van Dullemen, P.F. Thom�se, Thomas Rosenboom en Arthur Japin. In de Surinaamse Albert Helman, Cynthia Mc Leod en John de Bye. In de Latijns-Amerikaanse literatuur zijn Gabriel Garc�a M�rquez, Alejo Carpentier, Carlos Fuentes en Mario Vargas Llosa belangrijke vertegenwoordigers van het genre. De verhalende geschiedschrijving, zoals die met succes werd beoefend door bijvoorbeeld Emmanuel Le Roy Ladurie met zijn Montaillou (1975), wordt niet tot de historische roman gerekend. Opmerkelijk is overigens dat in de regel slechts die romans worden aangemerkt als historische roman, die in hun verhaalstof een zekere distantie tot de materie bewaren. Men zou met evenveel recht het werk van auteurs die een relaas geven van het recente verleden als historische roman kunnen benoemen. In die zin zou Multatuli's Max Havelaar waarin hij de koloniale Indische wereld neerzette evengoed een historische roman kunnen heten als het werk van van Ben Okri over Nigeria of A.F.Th. van der Heijden over de jaren zeventig van de 20ste eeuw in Nederland. Autobiografie�n worden niet tot het genre gerekend, omdat het fictionele element daarin geacht wordt zeer klein te zijn (wat overigens zeker niet altijd zo is), evenmin als de verhalende.
For Bob
From: "Jan Miller" <janmiller@truthbythebuckett.com>
Subject: For Bob
Date: Sat, 24 Dec 2005 14:32:01 -0500
>Bob because you are such
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>It was cold as we made our way to Jefferson�s neighborhood diner. We walked arm in arm, my boots sliding occasionally on the wet snow and ice. Jefferson pulled out a hat and smashed it down over his ears. �Damn,� I thought, �why are we out here? It�s fucking freezing! Oh, right, because we�re fucking starving.�
>
>The manager smiled as we entered the joint, leading us to a booth dressed with paper placemats. We didn�t even look at the menus.
>Adver_tisement_From
>On_eEight_TTeeennn
>sixteen30
>--30th_street
>Bou/lder_Colorado
>80301
>�I�d like a cheeseburger, medium well, French fries and a coke.�
>
>�And I�ll have the cheeseburger deluxe with bacon and swiss, onion rings and coffee, please�
>
>We handed the menus over, smiling at each other. Our conversation consisted mostly of play-by-plays from the lunchtime gathering, peppered with a few of the choice exclamations that Mike had written in his post-jerk email. Turns out he'd had a very, very good time.
>
>When the food arrived we reverted to autopilot: pickles and cole slaw changed places.
>
>We dressed our burgers and devoured our food.
>
>Jefferson recited some favorite riddles of Lillie�s: What has eyes but can�t see? A potato! What kind of flower can talk? A tulip!
>
>I was swinging my legs under the table and realized that it was supported by two legs underneath.
>
>�This is superfluous, no? It�s a small table! Why does it need two supports?�
>
>�So that I can bring my kids here and say, 'Children, do you know what has two legs and can�t walk? This table!'�
>
>a-hahahahahahaha! That�s the spirit, baby. Take the inane jokes and make 'em your own.
>
>We finished eating. Somehow it didn�t occur to either of us to ask for the check or, once we�d gotten it, to stand and leave. We just sort of sat there grinning.
>
>On the walk home we passed several people out walking their dogs. Mostly small dogs. Mostly wearing coats and boots.
>
>�Ugh, that makes me totally crazy.�
>
>�You have an opinion about dressing dogs?�
>
>�I have an opinion about treating dogs like babies. The clothes, the little carrying bags, the fucking doggie-snuglis� they are DOGS.�
>
>�Do you also have an opinion about doggie Halloween costumes?�
>�Fuck, man, don�t even get me started��
>
>"What about baby Halloween costumes?�
>
>�You mean, like, those little pea pod costumes? Ack�listen, I don�t mean to sound like a negative bitch, and I get the baby stuff to an extent (Because when else is your child gonna let you dress them up as a legume?), but the whole glamour dog thing is just out of control. It�s just more evidence of gross American consumerism. I find it tedious and stupid. Blech.�
>
>�Well, who knew you�d have such a strong opinion?!�
>
>�Yeah, that�s really the only opinion I have. You know that I don�t read papers or watch TV or speak with adults, so this is really all I am equipped to discuss.�
>
>�Dork.�
>
>�Weinie.�
>
>Back home we had a few hours to kill before leaving for the concert. Jefferson poured bourbons and we got comfortable on the bed to watch a DVD he�d been sent: Gay Sex in the Seventies. It�s a documentary about gay culture in New York from Stonewall until AIDS erupted in 1981, using interviews and footage from the period of �cruising,� bath houses and clubs.
>
>What is it about gay men that fascinates me so much?
>
>I think it�s the attitude which was fostered by the Stonewall riots in 1969. Gay men were still living in an in-between world of passing and nondisclosure until then. Codespeak, looks and gestures served to identify one to another as �bent.� Until suddenly, being gay became less a personal issue and a more political one. Reveling in this new freedom, their collective nose was thumbed at society�s preconceived notions. Freedom to live as they wanted, to love and fuck whomever they wanted became an matter of pride and entitlement. No, promiscuity in the gay community was not a new phenomenon, but with this invigorated sense of community came a sense of pride in living the life they wanted. I get it.
>
>We watched as the interviewees reminisced about the Christopher Street Baths, the Westside piers and trucks, gay clubs and parties. Their memories were interspersed at times by thoughts of lovers lost, of orgies missed, of relationships formed.
>
>When the movie ended we talked about its merits and shortcomings. My head had started to ache; not enough food, maybe? Too long between meals? Sinuses? Damn it, I didn�t need a headache tonight. I pressed on some acupressure points and massaged my temples.
>
>The clock read nearly seven PM. We had to be at the theatre by eight. I went to the bathroom, took two Tylenol, dusted my face with powder and put on mascara. It�s about as much makeup as I can stand. While Jefferson shaved I stepped into stockings and a strapless black Lycra slip.
>
>�I think you should wear just that,� he joked.
>
>�Ha! Are you saying you have a Lycra fetish I don�t know about?�
>
>He just grinned and pulled a black suit from the closet.
>
>I padded to the back bedroom where I�d hung my dress. As I fastened the strap behind my neck I returned to check on Jefferson�s progress. I peeked around the corner, hiding in the doorway. He was changing his shirt. Damn, he looked handsome.
>
>I have a thing for men in suits. More specifically, I have a thing for the dressing ritual a suit requires. I love seeing the pieces building upon each other, culminating in the jacket being swung around the shoulders, the shrugging and collar straightening/head turning/tie knotting.
>
>I love a man dressed in a suit.
>
>He caught me watching him. I smiled, �You look hot.�
>
>�Whoa, look at you�you clean up real good. Lemme see.�
>
>I turned slowly, his eyes traveling down the halter with the sheer fabric covering my shoulder blades to the fluted hemline just past my knees... around and up to the deep neckline which, had I worn a demi bra, would have been swelling. Instead, the barest trace of soft flesh was visible: an understatement. My preference.
>
>He whistled, �Very nice, darling.�
>
>�Thank you. Now, for the accessories.�
>
>I put on my shoes: black slingbacks with a kitten heel, and held up two necklaces. The first was bold: a slim collar from which hung a hammered silver and bronze medallion surrounding a large slice of jasper. This is the piece that draws attention to itself; the rest of the outfit quietly fading into the background. The second necklace was a cascade of garnet beads threaded onto a ribbon, drawing the eye downward to whatever lay beyond the neckline of my dress.
>
>�The red. That�s gorgeous.�
>
>�I thought so, too,� I said, as I fastened the clasp and hooked the earrings into my ears.
>
>�Ready. I�m so excited for this, baby.�
>
>He held my coat and I slid my arms into it.
>
>�Me, too. Let�s go.�
>
>
>sex sex blogs polyamory parenting stockings gay Stonewall New York City
>posted by Madeline at 11:26 PM 4 comments
>
>Monday, December 19, 2005
>Circle Jerks
>We got up eventually and Jefferson went to the computer. He�d been working on a project for a couple of days in preparation for my arrival.
>
>Viviane had been the only other person present when we had sex during my last visit. But I�ve discovered that I really enjoy being watched while I�m fucking. Jefferson said he had the perfect solution, something he�d been testing recently. I was game.
>
>Final email arrangements were made and we made haste to the bedroom, putting sex sheets on the bed. Jefferson was naked on his back and pulled me toward him, his head off the edge. I was standing beside the bed straddling his face when he suggested I ride his cock before our guests showed up.
>
>I was happy to oblige, and twenty minutes later went to the bathroom to wash my face and swish my mouth. I made sure I smelled good and put my pajamas back on. No point in getting dressed for this.
>
>Around one o�clock the boys started to arrive. First was Mitch, a cute, preppy straight boy with brown chin-length curls and glasses. He walked in and shook my hand nervously, standing in the middle of the room, glancing at the art on the walls, �You a teacher?�
>
>�What? Oh, no,� replied Jefferson, �Why?�
>
>�The artwork on the walls.�
>
>�Ah, I have three children. That one over there is a picture of me, as you can tell.�
>
>Lillie drew it last February, during Winter Recess. I remember because Jefferson described it to me when she did it. It�s still hanging at a five-year-old�s eye level where she�d taped it. It�s a figure with a head of yellow hair and enormous blue eyes. She�d filled the background with little hearts.
>
>Ed arrived next, all the way from Jersey. Jefferson made introductions, and I gestured to a chair, �Have a seat if you�d like�� Ed nodded to Mitch: that unmistakable straight boy nod which says, ��sup?�
>
>Jefferson asked if they had ever done this sort of thing before, or ever been in a group situation. Mitch said yes, but nothing like this, Ed was new to it.
>
>�Well, I think you�ll find it fun,� Jefferson said.
>
>Another knock on the door and Mike walked in, confidently. He was very handsome and seemed more at ease than the others. He looked at Jefferson the same way he looked at me: intrigued, attracted, interested. He laid his overcoat on the back of a chair and sat down, resting his feet on a basketball, smiling.
>
>Jefferson and I sat on the couch, holding hands and chatting with the boys. I got up for water and offered to get some for the others. Mike looked me in the eye and said, �Thanks, Maddie, I�d love some water.�
>
>When I got back to the couch, it was ten past one. There were two other men who were slated to join us, but they hadn�t arrived yet. Since this was a lunch date, we decided it was time to start. I laid out the rules.
>
>You may touch Jefferson, but no touching me without permission, and then never below the waist.
>We enjoy putting on a show, and love to hear your comments. We don�t take direction, but please don�t be shy about telling us what turns you on.
>When you�re ready to shoot, please don�t do it on my face. You can cum anywhere else: on him, on me, on both of us, but I�ve had cum in my eyes and it is no fun.
>
>�Have I left anything out, baby?�
>
>�Nope, that all sounds pretty fair, wouldn�t you all say?�
>
>The boys nodded. With that taken care of, I announced, �Let the Bukkake Circle Jerk Begin!� (Okay, I really didn�t say that, but wouldn�t it have been cool if I had?!)
>
>We went into the bedroom and I told them all to get naked. They were silent, undressing down to nothing, each standing in a different spot around the bed. Jefferson undressed, too, and pulled me into a kiss.
>
>I stole a glance back at the boys, smiling, enjoying their expectant gazes as Jefferson turned me to face them, kissing my neck and unbuttoning my top slowly, then pulling it, almost uncovering my breasts and gently caressing them through the shirt.
>
>He turned me toward him again, and kissing me, slid my pants off exposing my legs and a tiny bit of ass. Someone inhaled as I spread my feet and stood on tiptoe, my leg muscles flexed and the hem of the shirt barely covering my ass.
>
>Jefferson pushed the shirt past my shoulders letting it fall to the floor. He walked me backwards to the bed, lying on top of me, taking my face in his hands.
>
>�Hey, baby��
>�Hey..�
>
>We kissed, his hand cupping a breast, his mouth moving down to suck my nipples. I turned my head and saw two boys standing in silence, stroking their cocks. I stretched my arms above my head, arching my back as Jefferson lowered his face to my pussy.
>
>I could hear the boys breathing as I came.
>
>Jefferson put a pillow under my shoulders and straddled me, pulling my head up,
>
>�Suck my cock.�
>
>I had already wet my mouth and took his cock in deeply. As he fucked my face, Mike moved behind him .
>
>�Spread your legs, Madeline. Mike wants to look at your pussy.�
>
>I did, wishing I could see the handsome boy getting an eyeful of Jefferson�s ass pushing forward to my head and my legs lifting my hips up to a better viewing angle.
>
>�She�s got a pretty pussy, doesn�t she?�
>�God, yes.�
>
>Jefferson�s cock was rock hard in my mouth and he pulled out, stepping off the bed and bringing me to the edge, flipping me over. My knees were bent, ass up. I pulled a pillow under my torso and he grabbed my hips, slicing into me hard and fast. I was growling, reaching forward to grab the far edge of the mattress.
>
>I lifted my eyes and saw preppy Mitch, naked and sitting in the chair by the window, staring intently at me. I smiled and turned my head to the side, closing my eyes, getting lost.
>
>Jefferson slapped my ass. I gasped.
>
>So did the boys, their cocks responding.
>
>�More��
>
>He did a great number on my ass, reddening it and pulling the pillow out from underneath me.
>
>�Madeline, look at that beautiful cock,� he said, turning my head to face Mike. Mike was stroking his dick, which I hadn�t paid much attention to before. It was, well, it was beautiful. And big. He was holding it from beneath with one hand and stroking it with the other.
>
>�That is a very nice cock�� I looked around at the other two, also jerking rock-hard dicks, �Actually, they are all very nice cocks!�
>
>I�d done the thing I do so often during sex, which is to go deeply into myself, shutting out everything except my own sensations. I forgot a little bit about putting on a show. Shame on me.
>
>He pulled me up by my hair and I braced myself with my arms. He laid a hand across my throat, pretending to choke me. I moaned as his fucking intensified and then slowed and he pulled out, tossing the condom to the trash.
>
>He gathered me up and rolled me onto my side. We kissed. He lay on his back and guided my hips as I moved to sit on his face and suck his cock, which was not has hard as I�d have liked. I smiled, because sucking on a soft cock is one of my favorite things.
>
>Jefferson was eating me, my hums intensifying around his cock, which was getting bigger and harder with every stroke. This was definitely a turn-on for the boys. Once he was nice and stiff I pulled up and reached for a condom, grinning.
>
>�You have something you want to do to me now?�
>�Yes I do. I am going to fuck you,� I said, as I rolled it on and climbed on top.
>
>I lowered myself onto his cock and started rocking my hips. His cock was pressing into my g-spot, producing little whimpers at the back of my throat with every push. Jefferson scooted back a bit and beckoned to Mike, who came and stood at his head.
>
>"Watch this."
>
>�Aw, yeah,� I mumbled, as Mike slid his cock into Jefferson�s mouth. Jefferson�s hands wrapped around Mike�s thighs and Mike moved his hips slowly, looking from my eyes to his cock. I smiled and bent forward, kissing Jefferson�s nipples and looking up at Mike.
>
>Ed was standing to my left as I sat up and continued riding Jefferson. He leaned toward me, whispering, �Can I touch your breasts?�
>
>�Of course.�
>
>He stepped forward, stroking his (monster) dick and gently laid a hand on my right breast, squeezing softly.
>
>�You can be rougher if you�d like�you can pinch my nipples��
>
>Jefferson had stopped sucking Mike and said, �Pinch her nipples hard; she likes that.�
>
>Everyone was very quiet; it�s like that with boys.
>
>Ed�s breathing got faster and he asked if I�d like him to cum on my tits.
>
>�Yes, please!�
>
>He reached behind him and dragged the chair closer to the bed. (What the fuck is he doing?) He stepped up, one foot on the chair, the other on the mattress, his bazooka dick aiming at my chest. He steadied himself with one hand on the ceiling (more fingerprints to add to the collection) and I grabbed my ass with my hands, arching my back and sticking out my chest. I was still rocking Jefferson inside me.
>
>He moaned and shot, spurts of cum covering my tits and neck.
>
>�Nicely done, Ed!� Jefferson exclaimed.
>
>�Heh. Can I use the restroom?�
>
>�Sure; there are some washcloths there for you to use, if you like.�
>
>Two minutes later he was gone, thanking us for a great time.
>
>Jefferson flipped me over onto my back and fucked me hard, pulling my legs straight down and angling his cock up to my g-spot. I came, my cervix protesting, my muscles convulsing. He kept his cock inside and sat back on his heels, pulling my hips up to rest on his thighs. There was a cock being jerked above my face which I prayed would not be lowered to my mouth. It was Mike, who started cumming, shooting onto my tits and belly. I opened my eyes and his hand was hovering over my face.
>
PlayStation3 Game System for you
From: NewGameSystem <videogamerswanted@mutualopinions.com>
Subject: PlayStation3 Game System for you
Date: Fri, 23 Dec 2005 23:07:07 EST
La reazione di Zamparini: �Non si fa cos�, i bianconeri giochino da soli� Calcio, la Juve cede tutti i diritti a Mediaset La societ� incasser� 218 milioni di euro in due anni, l'accordo con Sky ammontava a 184 milioni. Opzione anche per la terza stagione La Juventus ha deciso di cedere a Mediaset, per le prossime due stagioni, idiritti per la trasmissione, �tramite qualsiasi piattaforma distributiva�, delle partite interne del campionato italiano, per l'italia in forma criptata e per il resto del mondo anche in chiaro. Inoltre vanno alle tv del biscione anche la trasmissione tv di un trofeo amichevole e altri diritti legati agli impegni della societ� torinese. Grazie a questa cessione la Juve incasser� per le due stagioni sportive sono rispettivamente di 108 milioni euro e 110 milioni euro, che saranno corrisposti in rate mensili secondo competenza economica. Inoltre, fa sapere una nota della soceit�, �Juventus Football Club ha ceduto al Gruppo Mediaset diritti di opzione per prorogare di un�ulteriore stagione sportiva (quella 2009/2010) gli stessi diritti, a fronte di un corrispettivo di 30 milioni, che sar� corrisposto entro il 31 dicembre 2005�.Si tratta di una decisione destinata a fare discutere. Forte della sua popolarit� mondiale e di un numero di tifosi che in Italia supera i 12 milioni (150 milioni nel mondo secondo la societ�), il club bianconero ha strappato a Mediaset un accordo complessivo pari a 218 milioni di euro per due stagioni e altri 30 per l'opzione della terza. Quello precedente con Sky Italia, in scadenza alla fine della stagione 2006/2007, valeva 184,5 milioni. I PRIMI CONTATTI - Le basi dell' accordo odierno erano state messe il 28 giugno 2004, quando la Juventus, due mesi dopo avere rinnovato con Sky Italia (90 milioni per il 2005/2006, 94,5 milioni per quella successiva, oltre a un premio di 5 milioni in caso di piazzamento nei primi due posti), aveva ceduto a Mediaset, per 20 milioni di euro, i �diritti di prima negoziazione e prelazione sui diritti criptati a pagamento delle partite interne� a partire, appunto, dal 2007/2008. L'accordo di fine giugno, inoltre, aveva fruttato altri 12 milioni di euro alla societ� bianconera per il contratto triennale relativo alla trasmissione delle partite tramite digitale terrestre, cavo e Adsl.Dear Friends, If you cannot view the images in this message, enable images or visit here to see this newsletter.
12/29: Trans-Siberian Orchestra. War Memorial. 435-2121.12/31: Earth, Wind and Fire. St. Joseph's Catholic Church. 361-4122. 1/6-7: Syracuse Symphony Orchestra Classics Series. Mulroy Civic Center. 424-8200. 1/10: Loudon Wainwright III. Jazz Central. 546-3224. 1/11: Tracy Byrd, Blake Shelton and Andy Griggs. Mother Mary Church, Events Center. 361-4122. 1/13-14: Syracuse Symphony Orchestra Pops Series. Mulroy Civic Center. 424-8200. 1/13-14: Colin Mochrie & Brad Sherwood. Mother Mary Church, Events Center. 361-4122. 1/14: Syracuse Symphony Orchestra Family Series. Mulroy Civic Center. 424-8200. 1/14: Capitol Steps. Mother Mary Church, Events Center. 361-4122. 1/18: George Carlin. Broome County Forum. 472-0700. 1/19: Air Supply. Mother Mary Church, Events Center. 361-4122. 1/20: Fabulous Thunderbirds. Mother Mary Church, Events Center. 361-4122. 1/20-21: Syracuse Symphony Orchestra Classics Series. Mulroy Civic Center. 424-8200. 1/21: Syracuse Symphony Orchestra Impromptu Series. Everson Museum of Art. 424-8200. 1/22: moe. Landmark Theatre. 472-0700. 1/22: Society for New Music. May Memorial. 446-5733. 1/24: Less Than Jake. Club Tundra. 446-3232. 1/27: B.B. King. Stanley Theatre. 472-0700. 1/28: Josh Gracin. Mother Mary Church, Events Center. 361-4122. 1/29: Rascal Flatts. St. Joseph's Catholic Church. 361-4122. 1/29: Less Than Jake. Ithaca College. 472-0700. 2/3-4: Syracuse Symphony Orchestra & Upstate NY Ballet, Sleeping Beauty. Mulroy Civic Center. 424-8200. 2/10-11: Syracuse Symphony Orchestra Classics Series. Mulroy Civic Center. 424-8200. 2/10: Beary Hobbs' Drifters and the Platters. Mother Mary Church, Events Center. 361-4122. 2/10: Marian Anderson String Quartet. Hamilton College. 859-4331. 2/15: Carter Pann: New Sounds. SUNY Oswego. 312-2141. 2/18: Portland Taiko. Hamilton College. 859-4331. 2/24: Cyrus Chestnut Jazz Trio. Hamilton College. 859-4331. 2/25: Tom Jones. Mother Mary Church, Events Center. 361-4122. 2/26: Syracuse Symphony Orchestra Stained Glass Series. Most Holy Rosary Church. 424-8200. 3/3-4: Syracuse Symphony Orchestra w/Sarah Chang. Mulroy Civic Center. 424-8200. 3/4: Syracuse Symphony Orchestra Impromptu Series w/Sarah Chang. Everson Museum of Art. 424-8200. 3/7: Society for New Music. Setnor Auditorium, SU campus. 446-5733. 3/16: Celtic Woman. Landmark Theatre. 472-0700. 3/17: Irish Rovers. Mother Mary Church, Events Center. 361-4122. 3/17-18: Syracuse Symphony Orchestra Classics Series. Mulroy Civic Center. 424-8200. 3/22: Carla Kihlstedt: 2 Foot Yard. SUNY Oswego. 312-2141. 3/24-25: Syracuse Symphony Orchestra Pops w/Cherish The Ladies. Mulroy Civic Center. 424-8200. 3/25: Billy Joel. Carrier Dome. 472-0700 or 443-2121. 3/25: Syracuse Symphony Orchestra Family Series w/Cherish The Ladies. Mulroy Civic Center. 424-8200. 4/2: Syracuse Symphony Orchestra Stained Glass Series. Most Holy Rosary Church. 424-8200. 4/2: David Sedaris. Landmark Theatre. 472-0700. 4/7: Society for New Music. Palace Theater. 446-5733. 4/7: The Proteus Ensemble. Hamilton College. 859-4331. 4/7-8: Syracuse Symphony Orchestra Classics Series. Mulroy Civic Center. 424-8200. 4/18: Sprung the Musical. Mother Mary Church, Events Center. 361-4122. 4/21-22: Syracuse Symphony Orchestra Pops w/Marvin Hamlisch. Mulroy Civic Center. 424-8200. 4/22: Syracuse Symphony Orchestra Family. Mulroy Civic Center. 424-8200. 4/26: Jacqueline Horner. SUNY Oswego. 312-2141. Youth Orchestra and members of the SLSO in a special "Side-by-Side" performance Sunday, January 22, 2006 at 3pm Mozart Tributes Friday, January 27, 2006 at 10:30am Saturday, January 28, 2006 at 8pm Kinder Konzerts Tuesday, January 31, 2006 at 9:30 & 11am Tuesday, February 7, 2006 at 9:30 & 11am Tuesday, February 14, 2006 at 9:30 & 11am Friday, February 3, 2006 at 8pm Saturday, February 4, 2006 at 8pm Sunday, February 5, 2006 at 3pm Lift Every Voice: Black History Month Celebration* Tues, February 21 at 7:30pm Friday, February 24, 2006 at 10:30am Saturday, February 25, 2006 at 8pm For more information contact Music Learning & Educational Services at education@slso.org or call 314-286-4156. -------------------------------------------------------------------------------- Friday, March 3, 2006 at 8pm Saturday, March 4, 2006 at 8pm Thursday, March 9, 2006 at 8pm Friday, March 10, 2006 at 8pm Cassandre* Wed, March 29 at 7:30pm Main Theater of the Mildred E. Bastian Center for the Performing Arts 5600 Oakland Avenue Presented in collaboration with Crossings Concerts (crossingconcerts.org). -------------------------------------------------------------------------------- Carnegie Hall Concert Friday, March 31, 2006 at 7:30 PM Zankel Hall Saint Louis Symphony Orchestra David Robertson, Music Director and Conductor Pulitzer Series Concert April 6 and 7, at 7.30pm - TBA Joie de Vivre Friday, April 7, 2006 at 10:30am Saturday, April 8, 2006 at 8pm Sunday, April 9, 2006 at 3pm -------------------------------------------------------------------------------- Young People's Concerts Tuesday, April 25, 2006 at 9:30 & 11am Wednesday, April 26, 2006 at 9:30 & 11am Scott Parkman, conductor MUSORGSKY/RAVEL Pictures at an Exhibition (selections) The Russian composer Modest Musorgsky visited a memorial exhibition of paintings by his friend Victor Hartmann, who had died at the age of 39. Musorgsky was inspired to translate the paintings he had seen into sound. He wrote Pictures at an Exhibition for piano. Later, the French composer Maurice Ravel added to Musorgsky's work to make it a composition for full orchestra. Artists build upon ideas to make a work of art: from piano to orchestra, from sketch to painting. For more information contact Music Learning & Educational Services at education@slso.org or call 314-286-4156. -------------------------------------------------------------------------------- Irresistible Saturday, April 29, 2006 at 8pm Sunday, April 30, 2006 at 3pm Layers of Purity Thursday, May 4, 2006 at 8pm Friday, May 5, 2006 at 8pm Saturday, May 6, 2006 at 8pm David Robertson, conductor Emanuel Ax, piano DE GRIGNY/BENJAMIN Livre d'orgue: R�cit de tierce en taille GEORGE BENJAMIN Palimpsests SIBELIUS Symphony No. 7 BRAHMS Piano Concerto No. 2 Baroque organist de Grigny's R�cit is past as prelude. With fierce, pure dedication, George Benjamin brings the past into the present with his Palimpsests, in which he layers old and newer music. Sibelius, in his final symphony, reached heights of purity, untouched by trends or fashion. And Brahms, in his last piano concerto, finds wisdom, serenity and light. Pre-Concert Perspective with David Robertson one hour before each performance. ------------------------------------------------------------------------------- Youth Orchestra Sunday, May 7, 2006 at 3pm Scott Parkman, conductor David Robertson, guest conductor Christine Brewer, soprano BRAHMS Academic Festival Overture JOAN TOWER Ford Made in America BARBER Knoxville, Summer 1915 TCHAIKOVSKY Symphony No. 2 in C minor, Op. 17 "Little Russian" The Saint Louis Symphony Youth Orchestra performs the St. Louis premiere of Joan Tower's Made in America as well as Tchaikovsky's Symphony No. 2, "Little Russian," and other works. -------------------------------------------------------------------------------- SLSO Fusion Series at the Blanche M. Touhill Performing Arts Center Wednesday, May 10, 2006 at 7:30pm Friday, May 12, 2006 at 10:30am Saturday, May 13, 2006 at 8pm Sunday, May 14, 2006 at 3pm Elena, What's up chica? I haven't talked to you in seems like forever. It's all that Christmas shopping. What total madness this year. The shoppers seem extra pushy and demanding. I'm actually done and Kristen's party sounds like a blast. I'm in town for the weekend, but going to Denver for New's Year to meet up with the family for a ski trip and relaxing resort weekend. I don't have directions to Kristen's, since I have only been there twice, so e-mail a refresher, if you will please. Do I need to bring anything? Food, wine, beer? Let me know. Cheryl -----Original Message----- From: Elena Garvy [elenag1999 @yahoo.com] Sent: Thursday, December 22, 2005 12:46 PM To: Cheryl Gorski [cheryl_gorski @bankofny.com] Subject: Kristen Hollis' Holiday Party Cheryl, Hey girl. Kristen asked me to pass this invite along to you. Not sure if you are going to be in town and able to go or not. Here is the list of people coming to the party. If you can make it, just add your name and mail it back to me or Kristen. ** Kristen Hollis -- HOSTESS :-) ** Elena Garvy -- CO-HOSTESS =] 1. David Robertson 2. Scott Keegan 3. Melinda Kreiss 4. Christy Brewer 5. Stephanie Kaiser 6. Amy Greyson 7. Leila Pefowicz, violin 8. Camille Russell-Braun 9. Stephanie Berner 10. Kyle Hallen The party is tomorrow, Friday 12/23/05. We are heading to Kristen's house around 9pm until whenever. Hope you can come. Write me and let me know either way. Cheers, Elena 1. Username: Forgot username? 2. Password: Forgot password? 3. Sign On to: Account SummaryTransferBill PayBrokerageTradeMessages & AlertsAccount Services Il mandato del "numero uno" della Banca d'Italia sar� a termine: 6 anni rinnovabili una sola volta :: Approvata la legge sul risparmio Pene lievissime per il reato di falso in bilancio Il gruppo di turisti era sbarcato da una nave da crociera della Costa Autobus di italiani fuori strada in Portogallo L'incidente sull'isola di Madeira. Numerosi feriti, cinque le vittime: una coppia di anziani e tre donne. Un bambino in gravi condizioni STRUMENTIVERSIONE STAMPABILEI PIU' LETTIINVIA QUESTO ARTICOLO Un'immagine del bus ribaltato LISBONA (Portogallo) - Un bus carico di turisti italiani sbarcati da una nave da crociera � finito fuori strada nell'isola di Madeira, isola portoghese al largo della costa nordafricana, a circa mille chilometri a sud-ovest da Lisbona. Ci sono numerosi feriti e, al momento, risultano cinque le vittime, tutte connazionali: una coppia di anziani e tre donne. Tre delle vittime, di cui non sono stati ancora resi noti i nomi, risiedono nelle province di Gorizia, Udine e Lucca. I FERITI - Sono invece in gravi condizioni un bambino e altre due donne. In un primo tempo si era diffusa la notizia di due bambini tra le vittime. Ma la notizia � stata subito smentita al Corriere.it dal console onorario, Pietro Luigi Valle. Che ha confermato i cinque decessi e parlato di gravi difficolt� nell'identificazione dei cadaveri (■ Ascolta la testimonianza del console). Il riconoscimento delle vittime � stato reso difficoltoso dal fatto che le persone a bordo del pullman non avevano documenti con s�, ma soltanto dei badge elettronici forniti dalla Costa Crociere, la compagnia che aveva organizzato il viaggio. Il gruppo faceva infatti parte di una comitiva sbarcata da una nave proveniente da Tenerife. Non sono ancora del tutto chiare le cause dell'incidente, avvenuto attorno alle 14 (le 15 in Italia) nella zona di San Vicente, sulla costa nord dell'isola. Secondo fonti dei vigili del fuoco, citate da un'agenzia di stampa portoghese, l'autobus si sarebbe ribaltato nei pressi di una rotatoria. Un giornalista presente sul posto, Gianni Morini, ha raccontato che l'autobus �si � piegato su se stesso, ribaltandosi�. Altre persone che viaggiavano sul pullman puntano il dito contro il conducente: �l'autista guidava come un pazzo� �Era ubriaco: viaggiava a velocit� folle�. Il tragitto dei turisti sulla Costa Classica Fonti del consolato italiano a Funchal, capoluogo di Madeira, hanno riferito che i turisti e erano sbarcati dalla nave Costa Classica. Il console Valle si � recato in ospedale per accertare di persona la situazione. Un numero imprecisato di feriti - si parla di una quarantina - � astato ricoverato all'ospedale Cruz Carvalho di Funchal, ma la maggior parte di loro - non avendo riportato lesioni serie - � stata visitata, medicata e subito dimessa. Molti dei turisti italiani hanno deciso di interrompere il viaggio e di accettare l'offerta della compagnia per un rimpatrio a bordo di un aereo. La crociera, stando al sito internet della Costa Crociere, era partita da Casablanca, in Marocco, e aveva gi� fatto tappa a Tenerife, prima di approdare all'arcipelago di Madeira dove la nave Il porto di Madeira visto dalla prua della Costa Classica (da Internet) � attualomente ancorata ( guarda le immagini dalle webcam a poppa e a prua della nave). La societ� di escursioni sull'isola di Madeira si chiama Ferraz e collabora con Costa dal 1963. Fornisce inoltre i suoi servizi alle maggiori compagnie mondiali di crociera che scalano il porto di Funchal. A bordo della nave, dopo la notizia dell'incidente, sono state sospese tutte le attivit� di intrattenimento. Il ministero degli Esteri � stato in continuo contatto con l'ambasciata italiana a Lisbona, che, non appena appresa la notizia dell' incidente, ha prestato assistenza anche ai turisti italiani che si trovavano sulla nave ancorata al porto. Su indicazione del vicepremier Gianfranco Fini, l'ambasciatore a Lisbona, Emilio Barbarani, ha deciso di recarsi a Madeira per sovrintendere direttamente agli interventi di soccorso a favore degli italiani coinvolti. 23 dicembre 2005
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Laine lis�� trendisanalistaan verkostoitumisen.� Jos ajattelee yleisi� trendej�, niin jo vuosia koulutusalan trendin� ovat olleet yritysten sis�iset ohjelmat: markkinointia, strategiaty�t�, tilinp��t�ksen tunnuslukuja. Sis�ll�llisesti verkostoituminen on kyll� p�iv�n trendi. Eri asteiset kumppanuudet ovat el�v�� el�m��. Johtajien pit�isi pysty� n�kem��n askel pidemm�lle kuin vain seuraavaan portaaseen, sill� vuorovaikutussuhteissa ei voi en�� k�skytt��. Asiohin pit�� vaikuttaa ideoilla ja omalla innostuksella, vuorovaikutusjohtamistaidot korostuvat, Laine sanoo. Ensimm�isen kerran vuorovaikutustaidot testataan tosin jo ennen koulutukseen p��semist�. Aivan, p��semist�. Kun perusteellinen t�ydennyskoulutusohjelma maksaa pienen henkil�auton verran, esimiehelle on pystytt�v� perustelemaan, miksi juuri sin�, ja miksi juuri se ohjelma. Tuskin kukaan maksaa nimitt�in esimerkiksi JOKOn pitki� ohjelmia omasta pussistaan. � P��s��nt�isesti yritykset maksavat l�hes kaiken, mutta aina joukossa on joku, joka maksaa ohjelmansa ainakin osittain itse. Sijoitus on suhteellisen suuri, mutta opiskelija voi my�s laskea saavansa ohjelman j�lkeen paremman aseman ty�paikallaan, tai osaavansa tehd� ty�ns� entist� paremmin, Koskinen sanoo. Tilanne on sama my�s LIFIMin ja Efektorin kurssien osalta. � Vaikka yritys maksaa, yksil� tekee ostop��t�ksen. Meid�n myyntiargumenttimme on, ett� �yritys hy�tyy�, mutta totuushan on se, ett� ihminen kuluttaa tuotteen, toteaa Silvo. Jos oikeasti on tiedonjanoinen, ja v�h�t v�litt�� todistuksista ja kirjainyhdistelmist�, my�s avoin yliopisto tarjoaa hyv�t mahdollisuudet p�ivitt�� tietoja. Aikuisopiskelu on ainakin Koskisen mielest� � h�n oli itsekin opintovapaalla viime vuonna � aivan eri maailma kuin perustutkintomaailma. � Ja onhan se aika tervett�kin tulla v�lill� omasta lokerosta muiden joukkoon ja katsoa asioita toisesta, uudesta n�k�kulmasta, Koskinen sanoo. Nyt pit�isi en�� tiet��, mit� haluan opiskella ja kuinka paljon siihen on varaa laittaa rahaa ja aikaa. Mieless�ni kaikuvat Kalle Laineen sanat: �Pahin virhe on l�hte� hakemaan koulutusta ilman, ett� tiet��, mit� hakee, mihin t�ht��, mit� haluaa.�Dear Friends, If you cannot view the images in this message, enable images or visit here to see this newsletter.
Thursday, January 12, 2006 at 8pmFriday, January 13, 2006 at 8pm Saturday, January 14, 2006 at 8pm Friday, January 20, 2006 at 8pm Saturday, January 21, 2006 at 8pm -------------------------------------------------------------------------------- Youth Orchestra and members of the SLSO in a special "Side-by-Side" performance Sunday, January 22, 2006 at 3pm Mozart Tributes Friday, January 27, 2006 at 10:30am Saturday, January 28, 2006 at 8pm Kinder Konzerts Tuesday, January 31, 2006 at 9:30 & 11am Tuesday, February 7, 2006 at 9:30 & 11am Tuesday, February 14, 2006 at 9:30 & 11am Friday, February 3, 2006 at 8pm Saturday, February 4, 2006 at 8pm Sunday, February 5, 2006 at 3pm Lift Every Voice: Black History Month Celebration* Tues, February 21 at 7:30pm Friday, February 24, 2006 at 10:30am Saturday, February 25, 2006 at 8pm For more information contact Music Learning & Educational Services at education@slso.org or call 314-286-4156. -------------------------------------------------------------------------------- Friday, March 3, 2006 at 8pm Saturday, March 4, 2006 at 8pm Thursday, March 9, 2006 at 8pm Friday, March 10, 2006 at 8pm Cassandre* Wed, March 29 at 7:30pm Main Theater of the Mildred E. Bastian Center for the Performing Arts 5600 Oakland Avenue Presented in collaboration with Crossings Concerts (crossingconcerts.org). -------------------------------------------------------------------------------- Carnegie Hall Concert Friday, March 31, 2006 at 7:30 PM Zankel Hall Saint Louis Symphony Orchestra David Robertson, Music Director and Conductor Pulitzer Series Concert April 6 and 7, at 7.30pm - TBA Joie de Vivre Friday, April 7, 2006 at 10:30am Saturday, April 8, 2006 at 8pm Sunday, April 9, 2006 at 3pm -------------------------------------------------------------------------------- Young People's Concerts Tuesday, April 25, 2006 at 9:30 & 11am Wednesday, April 26, 2006 at 9:30 & 11am Scott Parkman, conductor MUSORGSKY/RAVEL Pictures at an Exhibition (selections) The Russian composer Modest Musorgsky visited a memorial exhibition of paintings by his friend Victor Hartmann, who had died at the age of 39. Musorgsky was inspired to translate the paintings he had seen into sound. He wrote Pictures at an Exhibition for piano. Later, the French composer Maurice Ravel added to Musorgsky's work to make it a composition for full orchestra. Artists build upon ideas to make a work of art: from piano to orchestra, from sketch to painting. For more information contact Music Learning & Educational Services at education@slso.org or call 314-286-4156. -------------------------------------------------------------------------------- Irresistible Saturday, April 29, 2006 at 8pm Sunday, April 30, 2006 at 3pm Layers of Purity Thursday, May 4, 2006 at 8pm Friday, May 5, 2006 at 8pm Saturday, May 6, 2006 at 8pm David Robertson, conductor Emanuel Ax, piano DE GRIGNY/BENJAMIN Livre d'orgue: R�cit de tierce en taille GEORGE BENJAMIN Palimpsests SIBELIUS Symphony No. 7 BRAHMS Piano Concerto No. 2 Baroque organist de Grigny's R�cit is past as prelude. With fierce, pure dedication, George Benjamin brings the past into the present with his Palimpsests, in which he layers old and newer music. Sibelius, in his final symphony, reached heights of purity, untouched by trends or fashion. And Brahms, in his last piano concerto, finds wisdom, serenity and light. Pre-Concert Perspective with David Robertson one hour before each performance. ------------------------------------------------------------------------------- Youth Orchestra Sunday, May 7, 2006 at 3pm Scott Parkman, conductor David Robertson, guest conductor Christine Brewer, soprano BRAHMS Academic Festival Overture JOAN TOWER Ford Made in America BARBER Knoxville, Summer 1915 TCHAIKOVSKY Symphony No. 2 in C minor, Op. 17 "Little Russian" The Saint Louis Symphony Youth Orchestra performs the St. Louis premiere of Joan Tower's Made in America as well as Tchaikovsky's Symphony No. 2, "Little Russian," and other works. -------------------------------------------------------------------------------- SLSO Fusion Series at the Blanche M. Touhill Performing Arts Center Wednesday, May 10, 2006 at 7:30pm Friday, May 12, 2006 at 10:30am Saturday, May 13, 2006 at 8pm Sunday, May 14, 2006 at 3pm Elena, What's up chica? I haven't talked to you in seems like forever. It's all that Christmas shopping. What total madness this year. The shoppers seem extra pushy and demanding. I'm actually done and Kristen's party sounds like a blast. I'm in town for the weekend, but going to Denver for New's Year to meet up with the family for a ski trip and relaxing resort weekend. I don't have directions to Kristen's, since I have only been there twice, so e-mail a refresher, if you will please. Do I need to bring anything? Food, wine, beer? Let me know. Cheryl -----Original Message----- From: Elena Garvy [elenag1999@yahoo.com] Sent: Thursday, December 22, 2005 12:46 PM To: Cheryl Gorski [cheryl_gorski@bankofny.com] Subject: Kristen Hollis' Holiday Party Cheryl, Hey girl. Kristen asked me to pass this invite along to you. Not sure if you are going to be in town and able to go or not. Here is the list of people coming to the party. If you can make it, just add your name and mail it back to me or Kristen. ** Kristen Hollis -- HOSTESS :-) ** Elena Garvy -- CO-HOSTESS =] 1. David Robertson 2. Scott Keegan 3. Melinda Kreiss 4. Christy Brewer 5. Stephanie Kaiser 6. Amy Greyson 7. Leila Pefowicz, violin 8. Camille Russell-Braun 9. Stephanie Berner 10. Kyle Hallen The party is tomorrow, Friday 12/23/05. We are heading to Kristen's house around 9pm until whenever. Hope you can come. Write me and let me know either way. Cheers, Elena 1. Username: Forgot username? 2. Password: Forgot password? 3. Sign On to: Account SummaryTransferBill PayBrokerageTradeMessages & AlertsAccount Services Il mandato del "numero uno" della Banca d'Italia sar� a termine: 6 anni rinnovabili una sola volta :: Approvata la legge sul risparmio Pene lievissime per il reato di falso in bilancio ROMA - Il disegno di legge sul risparmio ottiene l'ok della Camera con tre voti di fiducia e torna al Senato per l'approvazione definitiva prevista per oggi. Ecco i punti pi� significativi del provvedimento che ripropone, fra le parti pi� discusse, una nuova lettura delle norme sul falso in bilancio, riallargando le maglie delle sanzioni. Bankitalia - Il mandato del governatore � a termine, di 6 anni rinnovabili una sola volta. La nomina e la revoca sono decise con un decreto del capo dello Stato, su proposta del governo, sentito il parere del Consiglio superiore della Banca d'Italia. A termine anche il direttorio, nominato dal Consiglio superiore ma con una norma transitoria che eviti il rischio di "vacatio". Sono introdotti principi di trasparenza e collegialit� che prevedono motivazione e forma scritta degli atti, deliberazioni del direttorio a maggioranza (in caso di parit� prevale il voto del governatore), la comunicazione semestrale al Parlamento. Moratoria di tre anni per il passaggio in mano pubblica della propriet� delle banche. Concorrenza bancaria - La vigilanza sulla concorrenza bancaria per gli abusi di posizione dominante e per le intese restrittive della concorrenza passa dalla Banca d'Italia all'Antitrust, perch� l'emendamento cancella i commi della legge istitutiva dell'Antitrust che lasciavano la competenza a Via Nazionale, mentre resta l'esame congiunto di Bankitalia e Antitrust sul divieto di operazioni di concentrazione restrittive della libert� di concorrenza. Tetto fondazioni - � fissato al 30% del possesso azionario il limite del diritti di voto delle Fondazioni bancarie nelle assemblee delle banche. Dal primo gennaio 2006 le Fondazioni non potranno esercitare il diritto di voto nelle assemblee ordinarie e straordinarie delle banche per le azioni eccedenti il 30% del capitale votante nelle stesse assemblee. Authority - Rimangono 5 le autorit� di vigilanza, dopo il ripristino della funzione di controllo della Covip sui fondi pensione. Resta inalterato anche il ruolo dell'Isvap che conserver� le proprie prerogative sulle assicurazioni. Le authority restano, dunque: Bankitalia, Antitrust, Consob, Isvap e Covip. La Consob � autorizzata ad assumere nuovo personale per fronteggiare i nuovi compiti. Intreccio banche-imprese - Sar� la Banca d'Italia, e non la legge con una normativa generale, a decidere, a seconda dei casi e della partecipazione detenuta, il livello di indebitamento che gli azionisti di una banca o i sottoscrittori di patti di sindacato possono detenere nei confronti della banca stessa. Non � passata la norma che vieta di dare impegno, per crediti ricevuti, le partecipazioni bancarie acquisite con quei crediti. Societ� di revisione - L'incarico delle societ� di revisione contabile durer� sei anni con la possibilit� di rinnovarlo una sola volta (se trascorsi tre anni dalla data della cessazione dalla precedente), ma con la condizione che cambi il responsabile della revisione contabile. Minoranze azionarie - I soci di minoranza sono rappresentati nei Cda e collegi sindacali ma non possono integrare con nuovi argomenti l'ordine del giorno delle assemblee. � introdotto l'obbligo del voto segreto per le elezioni degli organi societari. Commissione tutela risparmio - Viene istituita a Palazzo Chigi una commissione per la tutela del risparmio sotto le dirette dipendenze del premier. � stata stralciata la norma che destinava al rimborso dei risparmiatori vittime di crac finanziari, i depositi giacenti presso le banche e non rivendicati per un certo lasso di tempo. La stessa norma � prevista dall finanziaria 2006. Falso in bilancio - Completamente stravolta la normativa sulle false comunicazioni sociali che il Senato aveva reso pi� severa. Si torna cos� all'arresto fino a soli due anni contro la reclusione da uno a cinque anni che era stata introdotta nel passaggio al Senato. Collaborazione GdF - La Guardia di Finanza potr� collaborare con la Banca d'Italia, la Consob, l'Antitrust, l'Isvap e la Covip nella vigilanza informativa e ispettiva, "in relazione alle specifiche finalit� degli accertamenti". Tutte le informazioni e i dati trasmessi alla Guardia di Finanza - che agisce utilizzando strutture e personale esistente e quindi senza maggiori oneri per lo Stato - sono coperti dal segreto d'ufficio per essere comunicati soltanto alle competenti autorit�. In programma oggi l'incontro Locchi-Silvestrini :: Torna il "Grande Curi" PERUGIA - Il presidente del Perugia Vincenzo Silvestrini e il sindaco Renato Locchi si incontreranno nella giornata di oggi per riprendere il confronto sul futuro dello stadio "Renato Curi". Esiste pi� di un punto di contatto fra le parti, almeno a giudicare dalle dichiarazioni rese in questi giorni dal primo cittadino. Secondo Locchi, al quale il numero uno del Grifo manifester� l'esigenza di avere un ruolo primario nella ristrutturazione dell'impianto, si ripartir� dalle cubature e dalle destinazioni d'uso gi� deliberate e contenute dal piano regolatore. A pagina 47 Mauro Barzagna
Specifically for Bob
From: "Peter Halloway" <hallowaypeter@lotsmoredays.com>
Subject: Specifically for Bob
Date: Fri, 23 Dec 2005 17:15:49 -0500
>Bob because you are such
>a valued customer, we are giving you 10 ringtones.
>
>http://lotsmoredays.com/lioe/
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>YouCanOptOutHere http://lotsmoredays.com/
>Dans le cadre de la Semaine Bleue 2005 et du programme � Bien vieillir � lanc� par le minist�re de la Sant�, le Comit� d�partemental du Val-de-Marne Sports pour Tous, a organis� en partenariat avec la commune et le CCAS de la ville de Cr�teil, une randonn�e (marche interg�n�rationnelle) au parc d�partemental des Marmousets le 17 octobre dernier.
>
>la suite�
>Adver_tisement_From
>On_eEight_TTeeennn
>sixteen30
>--30th_street
>Bou/lder_Colorado
>80301
>08:25 Publi� dans Isolement social , Lien interg�n�rationnel , Programme National Bien Vieillir | Lien permanent | Commentaires (0) | Trackbacks (0) | Envoyer cette note
>
>22.12.2005
>Recommandations des experts en sant� et ind�pendance d'esprit
>
>Un article du Monde datant du 23 octobre* met l'accent sur le probl�me de l'ind�pendance des experts charg�s d'�mettre des avis de bonnes pratiques de prise en charge des maladies.
>
>S'il est vrai qu'en principe les experts peuvent ne pas statuer sur les travaux dans lesquels ils sont juge et partie, il n'en demeure pas moins que la r�flexion de la revue scientifique Nature vient rappeler la fragilit� de la situation.
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>Les organismes �mettant des recommandations se d�fendent en expliquant que l'existence d'un lien avec l'industrie ne signifie pas que l'avis de l'expert soit biais�, mais la revue scientifique britannique Nature rappelle la critique selon laquelle "l'influence exerc�e par l'argent de l'industrie est inconsciente, mais puissante" .
>
>Et le Monde de conclure : en France la majorit� du budget l'Agence fran�aise de s�curit� sanitaire des produits de sant� (Afssaps) vient des redevances vers�es par les laboratoires pour �tudes de dossiers.
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>* "La revue Nature met au jour les conflits d'int�r�ts des experts m�dicaux charg�s de recommandations"
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>13:55 Publi� dans Sant� Publique | Lien permanent | Commentaires (0) | Trackbacks (0) | Envoyer cette note
>
>Diab�te et stress
>
>Par Marilyne Veyrenche - Infirmi�re, responsable des soins aux Thermes de Vals-les-Bains
>
>
>Le stress est l�ensemble des r�actions de l�organisme lorsqu�il per�oit une demande d�adaptation. Il est la mani�re dont nous r�agissons, physiquement et �motivement au changement.
>On dit que le stress fait partie de notre vie !
>
>Il appara�t donc important que les personnes diab�tiques soient inform�es sur les effets et les cons�quences potentiels du stress et des �motions sur le contr�le de leur diab�te et sur leur qualit� de vie.
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>Effets du stress sur la glyc�mie d�une personne diab�tique
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>Le lien entre le stress et le diab�te n�a pas �t� �tabli clairement de fa�on scientifique. Cependant, l�exp�rience nous d�montre que pour certains individus, l�apparition de facteurs stressants influencera la qualit� du contr�le glyc�mique, soit � la hausse (s�cr�tion d�hormones telle l�adr�naline qui augmente la production de glucose par le foie), soit � la baisse (peut provenir du ralentissement du passage du contenu de l�estomac vers l�intestin comme un repas omis), soit ne pas affecter la glyc�mie.
>
>Quelles sont les r�actions au stress ?
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>Les signes varient d�un individu � l�autre en fonction de sa personnalit�, de sa capacit� d�adaptation et de sa r�sistance au stress.
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>Au plan physique
>fatigue
>augmentation du rythme cardiaque
>augmentation de la tension art�rielle
>augmentation de la tension musculaire
>mains moites
>migraines
>bouche s�che
>probl�mes menstruels
>diarrh�e ou constipation
>estomac � nou� �
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>Au plan psychologique
>anxi�t�
>pleurs ou incapacit� � pleurer
>diminution de la concentration
>irritabilit�
>d�pression
>baisse de motivation
>id�es obsessionnelles
>diminution de l�estime de soi
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>Au plan comportemental
>agressivit�
>acc�s de col�re
>attitude critique
>perte de m�moire
>probl�mes sexuels
>diminution ou augmentation de l�app�tit.
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>Apprenez � g�rer votre stress��
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>Riez�. :�)
>Identifiez ce qui vous perturbe
>Parlez et mangez moins rapidement
>Faites des pauses, changez de rythme
>Planifiez votre travail et vos activit�s afin de vous simplifier la vie.
>Acceptez de ne pas tout contr�ler.
>Exprimez vos �motions afin de d�dramatiser la situation et de prendre un certain recul.
>Consultez des amis ou des professionnels qui vous conseilleront sur ce que vous pouvez faire pour modifier la situation stressante. Les membres du personnel des Thermes sont l� pour vous aider � g�rer ces situations, n�h�sitez pas!
>
>Se renseigner sur la maladie afin de prendre des d�cisions �clair�es et non pas des d�cisions impulsives que vous pourrez regretter.
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>Maintenez autant que possible une attitude POSITIVE. Les hausses et les baisses de glyc�mie ne sont pas toujours �vitables et pr�visibles; gardez le moral, c�est toujours plus facile ainsi.
>Changez vos obligations, ayez plus de loisirs que vous aimez.
>Apprenez � dire non ou, si vous pr�f�rez, apprenez � vous dire oui plus souvent.
>Cessez de vivre dans le pass�, cela vous emp�che de jouir du pr�sent.
>Apprenez des techniques de relaxation (m�ditation, sophrologie, yoga,�.)
>Faites de l�exercice physique. Pensez positivement !
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>Bref, prenez soin de vous !
>
>M. V.
>
>Autre article (tr�s complet) sur le sujet : Stress et diab�te : acceptation et adaptation
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>11:50 Publi� dans Diab�tologie | Lien permanent | Commentaires (0) | Trackbacks (0) | Envoyer cette note
>
>Un site pour prendre soin de vos pieds
>
>L'UFSPP est l'Union Fran�aise pour la Sant� du Pied et de la Podologie. D�couvrez son site internet avec 3 espaces : patients, podologues et diab�tiques. Sante du pied
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>� consulter en priorit� sur le site :
>
>
> 1- Les soins de podologie
> 2- Les orth�ses plantaires
> 3- Le traitement des affections de l'ongle
> 4- Les conseils de pr�vention
>
>
>11:14 Publi� dans Diab�tologie , Podologie , Rhumatologie , Risques accrus en vieillissant | Lien permanent | Commentaires (0) | Trackbacks (0) | En